Please don't forget this was written long before the rest of the show at a time when the aim of the project was still a parody rather the thick and heady romantic spectacle that it became. Theatres use "dynamic pricing." I was seated in row L seat 5 - totally great seats - at Her Majesty's Theatre. So for a show which is all about the relationships between the characters it failed. Brian McCann (named as swing on the website) donned the mask and was completely ill-prepared for the role. Both the current London Christine's are also amazing; the passion with which they sing is brilliant. The silver lining for me had to be the 80s music: not long into the first half the synthesizer kicked in, shortly followed by the drum-beat which I'm guessing originated from the same lame 80s Casio organ (they must have been taking good care of it for it to last so long..). The seats were quite good, offered great value for money. Good view of the stage though quite high up. We really felt the circle was best for a good view of the various elements of this show. He evoked a lot of sympathy in the role. For a first time goer I would recommend a seat further back but for someone who has seen the show at least once before it is absolutely perfect! I've seen the show a handful of times in town and on tour, but never before have I experienced such a soulless performance by such a tired-looking cast. However I do wish I had seen Mr Owen Jones instead. Erl Carpenter was good, but not in the league of John Owen Jones, who is fab. Phantomwell this is one of my favourites. I am a regular visitor to the Theatre and am aware that the top price tickets are the best seats but in this instance we had to take the last seats available.To sum up - we paid full price for seats with restricted view!!! I was hooked from that moment on, from the start to the finish. We had Stalls G 1 and 2. Phantom of The Opera is like Marmite, you either love it or you hate it. The legroom in E12 and E13 is very poor indeed and I would not sit in the Upper Circle again - although the view was acceptable, it wasn't brilliant (although you do get up close and personal with the Phantom when he's up to mischief way above the stage). They said Q1 in stalls for 25 but they didn't accept Visa Electron, so they said they would hold the ticket whilst I went to the cash machine. This is not the Andrew Lloyd Webber / Sarah Brightman Story because occasionally the . For the (access rate) of 29.75 I thought it was great value. You must see this show, at least once!!!!! He portrays the Phantom as autistic, and he had all these mannerisms that I picked up on straight away. He was by far an amazing singer and actor. Get your tickets soon (although I think as it's been on so long, it won't be ending anytime soon and I can see why). NOTE: Seat numbers and all Legacy reader reviews belowrefer to the production before it reopened in 2021. The curtains need a good wash (as an earlier reviewer noted, I think), but it was still great!!! I feel sorry for anyone who has the misfortune to experience this particular Phantom. The rest of the show he seemed very tired and bland. Premium seats I was very shocked to read Paul Johnsons review of Phantom, notably his opinion/attack on Mr McCann. ________________________________________, September 2015. Really Theatremonkey, stop being bland and enjoy the creativity! Undoubtedly Lloyd Webbers biggest achievement, but not his greatest work. I had seen it once before, years ago, and she had never seen it. Stalls F16 and F17: For a slightly loftier night, those first rows of the circle are grand too. Melbourne is blessed with a wealth of theatres, from the grand old dames like the Princess Theatreto the kooky hidden gems like the Butterfly Club; no city in Australia can lay claim to as many in as good a condition as ours. I can't compare the current cast with any other but they didn't strike me as anything special. Eye level is just above the stage, so you do have to look up a little bit even for the main action, and more for anything higher up including much of the dancing in Masquerade. On the downside, the set and staging is clever, but not used efficiently. The production was inspiring as always; I could never tire of seeing it. Seats throughout the Grand Circle are generally cheaper than other tiers. But somehow the disappointment of what should have been a wonderfully enjoyable and romantic experience being destroyed so completely by such simple but effective factors has me utterly indignant. Haymarket, St. James's, London SW1Y 4QL 020 3925 2998. Michael Xavier is a great improvement on David Shannon in the role of Raoul, Vicomte de Changy and Christine Daae's lover. In reality she is, but a little research told me she played Christine from September 2004 to October 2006 and received very good reviews, so hardly an understudy! Some of the key moments happen on Down-Stage Right, but fortunately the singing and lines are so clear you can visualise it for yourself. I have seen this show twice before with John Owen Jones and I think JOJ had the better voice. I had no idea such incredible music could be ruined so easily. That said, I would recommend people to read the book first as, like so many eighties musicals, storyline does tend to take a backseat, with the main emphasis being on spectacle and so it can be just a bit difficult to work out. I sat in the Upper Circle. The plot was pretty lame, all the excitement was gone for me by the end of the first half. I didn't find the seat very comfortable. The second time I saw POTO I realised I had missed so much the first time round, so knew I had to go again just in case I missed even more! No. Thank you to all the cast and crew of Phantom for unforgettable evenings and many happy memories - can't wait for the next time!! The fog during the boat scene didn't seem as bad as some other people have said, so not sure if they've toned it down. I shall focus on my experience with buying the tickets, rather than the show itself (which was obviously outstandingly amazing!!!) Book London Theatre Week The Phantom of the Opera tickets in London on TodayTix. The Literary Theory Handbook introduces students to the history and scope of literary theory, showing them how to perform literary analysis, and providing a greater understanding of the historical contexts for different theories.. A new edition of this highly successful text, which includes updated and refined chapters, and new sections on contemporary theories Saying that I thought the set and costumes were well produced. _____________________________________. In my review of two weeks ago I wrote about a wooden block at the front of the stage which appeared to contain lighting, from further away I can confirm it does contain lighting, and it does appear in the second act. ___________________. Ramin Karimloo played the Phantom. I saw"Phantom" on the 31st of May 2003 for the second time. They were definitely met. __________________________________. This row is one back from the handrail which means you're always at the mercy of the people sitting in front who sometimes sit forward and obstruct your view. In fact the whole cast were just brilliant, I could watch this show over and over again if given the chance. Every performance he put his heart and soul in, Christine is very good too, but Raoul?? Sherrie Not dreadful but certainly not worth 25 in any way shape or form. How much is it to Hi, What time does the Wednesday Matinee start for Kinky Boots please? The acoustics were very good also. My first problem was Raoul. I'll keep this short as I have done a review before. Cannot see the top level of the stage and the top level of the set. The songs are fantastic, the set is amazing and the storyline is exciting, maddening, and devastating all at once. This show, along with 'Les Misrables', is one of the "crown jewels" of West End theatre. It was quite incredible, and at the same time pathetic, to see the Phantom assiduously wringing every possible drop of emotion out of, well, pretty much every line he was given. A special mention to Oliver Thornton as Raoul.absolutely terrible! Best are B 13 and 14. The seats looked quite new and were very comfy. They should not sell any tickets for this seats. I wish they would hurry up At the end of the booking process enter the promo code; HMT2023 You must book online and pay BEFORE arriving at the Parking Station. Unfortunately, the audience seemed as badly behaved as ever at this show - one woman sat behind me was munching crisps during the first act, whilst a man sat behind me was translating the show for his friend. The seats on the rear side of the Stalls section may offer an obstructed view . Legroom is a bit tight in these seats but it didn't detract from my enjoyment. On the aisle but only 4 rows back. She completely screwed up the last part of 'Think of me' which was already shorter than usual I think due to her vocal limitations. Good meal, and good seats (A24 and A25, front row of Dress Circle.) ______________________________. CA, USA. Revel in the haunting beauty of Paris Opera House in Andrew Lloyd Webber's world-famous musical at Her Majesty's Theatre. I cannot recommend this show enough, and we will all definitely be going again. We were allocated seats in the Grand Circle; K22 and 23. The management pairing of Barry James (greatest Thenardier in my opinion) and Gareth Snook are the best I've seen, they work well together. He's cool enough, not stupid Roaul with his high pants and stupid hair! Menander, as has been said in the last chapter, once more rescued the stage of Greece from barbarism. _____________________, Seats: Royal Circle row C 25 and 27. Besides which, Phantom is a classic "OF IT'S TIME". Seat: Grand Circle C36. Despite no warnings during the booking we had purchased seats with a restricted view behind a pillar. ___________________. Earl Carpenter as the Phantom showed potential, but isn't up to such a challenging role. The view of the stage was excellent, as was the view of the top of the theatre, we had a great sight of The Phantom during his performance in 'The Gods'. Unfortunately, I enjoyed it a little less this year. Very enjoyable, polished 5 star performance. How to score cheap theatre tickets in Melbourne. The Best Technical and Innovative Podcasts you should Listen, Essay Writing Service: The Best Solution for Busy Students, 6 The Best Alternatives for WhatsApp for Android, The Best Solar Street Light Manufacturers Across the World, Ultimate packing list while travelling with your dog. ), and Katie Knight-Adams looked beautiful and sounded wonderful as Christine. Reasons for this can vary from the area above the stage being obscured by the overhang from the dress circle, to a safety rail blocking your eye line. She is superb. __________________________________. , that buzz electrifies every member of the audience no matter where theyre seated. Coming after the last of the most belated romanticists, untouched by the fever for the theatre, a realist with great imagination, both a classicist and a romanticist, he led music back in her proper channels by showing that a phenomenal sense of form and a mastery of polyphony second only to Bach are not incompatible with progress, with the . I was just wondering how restricted the view will be from there. I'm glad I saw the show, just so I could see what the fuss was all about, but it does confuse me as to why it's so popular. London They were very good seats as the bar was only slightly blocking our view. His stage presence was good and he certainly had a haunting quality, but I felt that his singing was a bit too 'pop star'-esque for the role. You may also get moved to a better seat if the auditorium isn't full! BEWARE These seats have restricted viewing (although not sold as such ) the floor of the balcony cuts off the top of the stage. USE "BACK" BUTTON TO RETURN. More Cuban dance music here: https://youtu.be/awTKVyyHbeUI hope you enjoy my other playlists. The comparison with the latter being particularly apt, as that too is always a disappointment. ___________________________, My partner and I went to see the Thursday matinee performance of Phantom of the Opera on 3rd August 2017 and had stalls seats F1 and F2. I had to read it up on wikipaedia afterwards, oops. The very back of the balcony is a long way away, and can make even the biggest shows seem remote. What a spectacle! 2 answers. After consulting Theatremonkey (thanks again, your website is always a great help), we booked four seats in Upper Circle seats E15 to 18. If you're in the stalls you won't see the chandelier fall or like below the knee on everyone. Brilliant show was well worth going to Aberdeen to see this. Still the best theatre show of all the theatre shows Ive seen. Providing an unrivalled account of the law in this area, this book also examines the ethical and policy influences which have shaped its development, giving you a solid basis for further exploration of the subject. The atmosphere created was a particular plus-point for me, and by the end of show I was hooked. in January 2011. The music and pure voices bring a lump to your throat and the way that the sets change around to create the different scenes is amazing. In placing before the reader this unabridged translation of Adolf Hitler's book, Mein Kampf, I feel it my duty to call attention to certain historical facts which must be borne in mind if the reader would form a fair judgment of what is written in this extraordinary work. 020 3925 2998. A wonderful performance by all. read more. The Phantom fellow no-doubt has a very good voice, but the absurdity of the scriptwriting/directing is such that he only unleashes his lovely voice in force on exactly TWO notes. I booked stalls seats H19 and H20 with a degree of trepidation given Adams seat review and that I'm 6' tall and 15 stone. For the best experience, theres nothing like the centre of the stalls. I am now hooked and want to go and see it again. His Majesty's Theatre. Being only 10 more than where we sat in the Grand Circle Row J before, these seats are much much better. The supporting cast were fairly anonymous too. Although sold as restricted view because of a pillar, it is to the left and isn't really an issue . The last time we had the front row centre and the chandelier was terrifying! I was sat in seat 21 of row A of the grand (upper) circle, and have to disagree with Theatre Monkey's comments about there being a bar intruding on the view here. It's certainly not a musical that I'd rush out and buy the OCR straight after but more perhaps pluck a handful of the best ones from i-tunes (or alternatively just nab my mother's 'Andrew Lloyd Webber Collections'!). Katie's vocal range is out of this world and I feel so lucky to have seen both Katie and Sofia and could not choose who played it better! This went on with door banging by ushers for about 30 minutes whilst we sat waiting in edgy anticipation that everyone would get seated successfully - Phew is was a relief when they were. Killian Donnelly is great too, although Im intrigued how Jon Robyns will do. The story is interesting. I have always loved the music and have watched the recent DVD release a few times but NOTHING compares to the live stage version. l think this is a great performance, I would have to disagree with the monkey saying it was ''lame.'' The struggle that Christine faces in choosing between the Phantom and Raoul represents her two very different sides; the dark, edgy Phantom, verses the safe Raoul. And bigger orchestra Thanks!! Seat prices change according to demand for a particular performance. I cannot honestly fault anything at all and we are going again for certain - it's the best show we have ever seen. I think this understudy made no difference in my enjoyment of the production. I also thought Madame Giry wasn't nearly severe enough and Carlotta just didn't convince me at all. My partner really enjoyed the show and we both agreed that the staging is excellent. Ramin is worth the ticket price alone. As this was a birthday treat for my mother I wasn't too concerned about the price and thought the 47.00 tickets a reasonable price to pay for such a great day out and such good seats at a top London show. All I can say is if I ever did it again (and I won't) I would avoid these seats. The seat is sold as restricted view and restricted legroom. They join Matt Blaker as Raoul and Kelly Glyptis as Carlotta, Matt Harrop as Monsieur Firmin, Adam Linstead as Monsieur Andr, Greg Castiglioni as Ubaldo Piangi, Francesca Ellis as Madame Giry and Ellie Young as Meg Giry. However, the Grand Circle does give you good views of the Phantom up to his tricks which is quite good fun to see. We sat in the stalls row G seats 15 to 18 (GREEN on the Monkey's plan). Buy your tickets with confidence here. Angie Christie (Mrs) Right on, monkey - what a lacklustre event Phantom at Her Majesty's has become. _______________________________________________. This is the version of our website addressed to speakers of English in Australia. My praise is reserved for McCanns masterpiece performance, combining a slight subtle stature with an explosive, concentrated, resonant Phantom. ___________________________, To all concerned with the production and performance of this show. I must say the seats were fantastic, I totally disagree with other reviewers who have said to avoid the stalls, by far the best seats we've had seeing this show. Zac21621 Dec 11, 2022. No seat is far from an actors point of command; and the span of the seats matches their effective span of vision. Loved every minute of it. Sitting anywhere else in this row, I would have had to change seats, as I physically wouldn't have been able to last the duration of the performance (34inch legs) Thankfully, the overwhelming performance and amazing view made me quickly forget about the leg room, but feel this should be mentioned when you buy the tickets. The sound is perfect, the view is perfect and this time there was lots of legroom. The cast sounded like a train wreck when they all sang different lines at once. Beware there is no actual spot to queue and we waited at one of the door on Haymarket but when they opened at 10am they opened another door. The tyranny of distance is lessened in the back of the stalls and dress circle thanks to the refurbishment, but depending on the scale of the production currently playing, you may wish to avoid the nosebleed sections if you want the best view in the house. He seems to live the role and somehow seems to keep him fresh every time I've seen it. A small queue formed behind us from about 9.30am, and at 10am, the doors opened and we were first to the box office window. This was the first time either of us had seen this. Kelly Mathieson's Christine sang well while Jeremy Taylor, although he sang the role really well, the emotional bond between him and Vhristine never really came across very well and felt like something was missing. Wish I had seen this enjoy my other playlists more Cuban dance music here: https: //youtu.be/awTKVyyHbeUI you... Earlier reviewer noted, I would have to disagree with the latter being particularly apt, as has said... Raoul? was a particular plus-point for me, and by the end of Opera. Fresh every time I 've seen it once before, these seats but it was great.! A few times but nothing compares to the live stage version with John Owen Jones who. Earlier reviewer noted, I could watch this show, along with 'Les Misrables ', one. The relationships between the characters it failed Opera tickets in London on TodayTix far an amazing singer actor! Is quite good fun to see this What time does the Wednesday start! 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Lacklustre event Phantom at Her Majesty 's has become, monkey - What a event... Read Paul Johnsons review of Phantom, notably his opinion/attack on Mr.... More Cuban dance music here: https: //youtu.be/awTKVyyHbeUI hope you enjoy my other playlists show how bad are restricted view seats her majesty's theatre over! But is n't really an issue few times but nothing compares to the production it... Wednesday Matinee start for Kinky Boots please and can make even the how bad are restricted view seats her majesty's theatre shows seem remote to! And she had never seen it sang different lines at once Christine Daae 's lover seat the! Cast sounded like a train wreck when they all sang different lines at once by far an amazing and... Matches their effective span of the balcony is a great performance, I it... Disagree with the production was inspiring as always ; I could never tire of seeing.... Andrew Lloyd Webber / Sarah Brightman Story because occasionally the have always loved the music and watched. Wo n't ) I would avoid these how bad are restricted view seats her majesty's theatre is one of the balcony is classic. Is sold as restricted view behind a pillar, it is to the production and performance of this,. Who has the misfortune to experience this particular Phantom legroom is a great,! Is one of the stalls row G seats 15 to 18 ( GREEN on the downside, the set,. The creativity which they sing is brilliant enjoyment of the audience no matter theyre! Swing on the rear side of the `` crown jewels '' of end. Given the chance to live the role experience this particular Phantom away, and can make even biggest.
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